![]() ![]() ![]() The title track is an absolute shredder with the riffs coming in at an unbridled volume. For further examination, here are my top tracks off of the Album Of The Week: It’s impressive, incredible and fantastic in simultaneous fashion. It’s neither filler nor redundant crap, every recording he’s involved in has some sort of quality to it. We’re both the same age at 35 years old (Hell yeah ’87 babies) and he’s been involved in over 30 recordings ranging from his solo stuff to a variety of other bands. Prolific consistency is difficult for any musician to manage but Segall pulls it off fairly naturally. There’s also his knack for walking the fine line between acoustic and electric in many of his songs which is awesome. He can simply pick up a six-string, start singing in his Marc Bolan-esque way and leave the senses astounded. ![]() He doesn’t need to plug into an amp and turn it all the way to 11 to make an impact on the listener. ![]() Both of those records have an acoustic foundation much like the new one with all three being testaments to Segall’s artistic versatility. There are a few inklings of tones from prior albums but overall it’s another cohesive release that exudes an abundance of substance.ĭuring the first time I listened to the new album, it reminded me a lot of Segall’s past releases Sleeper and Manipulator. This is once again the case with his fourteenth solo album, Hello, Hi, that came out via Drag City Records on July 22. The crazy thing about this is that everything this garage rock wunderkind has done is really good. By listening to it, I mean that I’m going to press play and devote some time to analyzing his songs while talking about how good they are. A long time ago I resorted myself to the fact that whenever Ty Segall puts out a new record either under his name or through his many projects, I’m going to listen to it. ![]()
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